Person In The River Dedicated to the Firefighter/First Responders of 9/11/2001

9-11-2001

Person in the Water—Dedicated to the Fire Fighter/First Responders who gave their lives responding on 9/11/2001—a 911 emergency

The twenty-four hour tour of duty was just beginning. After radio check the crew of three from the outside satellite station had started their assigned tasks around the house. The officer was cutting the grass, the pump operator checking and cleaning the truck and equipment, and the back step firefighter cleaning the station. Bells and radio signal draw immediate attention, and station details are no longer of importance.

The call comes in with two bells and the announcement over the Personal Address speakers “Person in the River,” followed by closest location reported and response assignment.
Crews of First Responders head out the door; the closest crew of three arrive on scene where they are signaled by waving arms of the location. Just past the old stone arch bridge the river bends by a grassy field and is bordered by a line of trees and brushy growth, a place where there is a view of the river and shelter from the summer sun. A place where the old man who waved us over had been fishing until a passing pleasure boat transiting the river sighted someone floating in the water. It is a place where a homeless person known to the district fire company and police had been living recently.

Years of experience tells the initial crew that it is too late for a rescue. The officer unofficially announces a death over the radio with the transmission, “To all responding companies, this is a recovery, repeat, this is a recovery.” The response continues and the drill is the same as a rescue but subtle sorrow replaces urgency as another pump, ladder truck with rescue boat, command car, police local and state, and ambulance crews arrive. first responders all and the true meaning of 911 where calls for help of any kind are answered and dealt with professionalism and respect no matter who you are, alive, recently departed or those grieving and left behind.

The crews set up on shore at the opening as an inflatable life ramp is filled from one of the same air tanks used to breathe at fires; one firefighter in a bright orange Survival Suit enters the water tethered to shore by a colorful floating safety rope, a ‘Go Rescue’. The firefighter moves quickly and without hesitation. He is the first human contact for the victim. Carefully, condition and death are confirmed. The colorful line is delicately placed around the floating man and held together with a carabiner connector. If it were a rescue the firefighter would also be connected and wrap his legs around as the line tenders pull rescuer and victim to shore. The reality of a recovery is now in some waiting as the colorful line connects victim to shore, to the place where he watched the river.

Yellow hazard tape is set up around the scene to keep onlookers at a safe distance and to cordon off the scene until state investigator, photographer and coroner’s pickup van arrive. The cause of death, ruling out foul play, and recovery await their arrival. The first arriving responders stand by and stand guard over the man in the water near the river bank. We believe him to be the homeless person. Alone in life, he is now the center of attention and conversation to the onlookers outside the tape. The old man who waved us to the scene has strangely gone back to fishing, not knowing what else to do, as helpless as the victim and first responders without a rescue. The ladder company has checked the shore and river in the rescue boat for other victims with nothing found. The family transiting the river in a pleasure boat is questioned over the same cell phone the 911 came in on. They continue down the river to safe harbor and out to the ocean for the day. The day though sunny and hot is not as bright and warm for any of us who are witnesses, waiting, or standing guard. Who is the man in the water? Center of attention in death, he is tethered to land in a subtle noninvasive way by a lifeline. His life and soul passed probably a day earlier. Troubled spirit lost long before today? Who is he?

Clues and Questions
The water he watched from the riverbank had held him in a cool embrace and protected him from the start of a heat wave which followed violent thunderstorms. Embrace released, he now floats facedown like the lily pads across the river hugging the opposite shore in sunlight. His black sunglasses were found in a private place hidden from sight. Next to the glasses a bottle emptied of cheapest rum. He was wearing tee-shirt and shorts, black belt, white sneakers. He was about the same height as the homeless man who always stayed on the shady side of the river by the grassy field. The line of growth between field and river offered cover and privacy from critical eyes. The First Responders had helped him many times in past weeks. Calls for ‘person down’, had brought them to various locations to help him up, tend to injuries, get some history and give a little pep talk before he was taken to the local hospital—cleaned up treated and put back on the street. –911 responders get to know the regulars, ‘frequent fliers’, they know the present problems and get hints of troubled pasts. The regulars come and go, always to be replaced by another broken spirit standard-bearer. First responders can only help with immediate medical and emotional needs. First responders can not heal broken spirits and find lost souls. But they try! The clues point to the homeless man, the questions remain. The field, wood and river are the homeless person’s companions without judgment or criticism. A place where swans occasionally transit the river, nature in its perfection and the human nature of imperfection in uncomplicated unquestioned connection.

Who knows what defeats the spirit? What starts the downward spiral of hope and loss of faith? Why do so many get lost in a bottle, a drug, a bet, abuse and trauma? How the human nature of imperfection can let us think that we can find our spirit in imbibing substances? That we can find solace in anything that brings relief no matter how temporary or futile? Why did the homeless person leave the perfection of nature, walk past the health food store, the coffee shop and go instead to the liquor store? Was his last walk back to his natural shelter, the last spiral down the bank in drunken stupor into the cool embrace of his river? Did he die alone and frightened during the violent thunderstorm?

The investigator arrives and agrees with what the First Responders already know. The photographer arrives and takes his pictures of the scene. Both have a tough job in giving some closure and finality to the task at hand. Outside the tape the onlookers, bored, find connection and chatter with others who pass by and stop. They are told to move on, to move back, that this is nothing they want to see. Some of them have their children with them in a place no child should be. They move on but still gawk from a distance so the ambulance is moved closer and in their way. Bored curiosity and open indifference could be better spent. Children should be playing! Did the onlookers care at all when the man was alive? How many times was he told to move on, to be someone else’s problem? To find shelter in nature where questions were not asked and some peace found.

The Recovery
The minivan/hearse arrives. The coroner’s body recovery person is a young man wearing shorts, tee-shirt, black belt, and white sneakers. He is so relaxed and casual that his identification is checked. Already too experienced at a ghoulish but necessary job he covers up in a throw away white coveralls suit and the end of the recovery nears.
The line is cast to the rescue boat and they move to slowly bring contact with shore. Fire fighters and the ambulance crews grab the rope, belt, clothes and sneakers and carefully move him to a white body bag on the bank of the river. Pictures are taken, it is his tattoo, we cut open his back pocket to remove the wallet, and it is our homeless person, though with loss of life, spirit and soul he bears no resemblance. The bag is zipped up and six of us in procession move his body with care and respect to a stretcher. He is placed in another black bag, zipped in and strapped down to the stretcher. The responders are silent except for the commands to move and the sound of zippers and click of strap connections. He is moved into the back of the minivan hearse and the driver who is dressed the same but for the color of the tee-shirt leaves the bank of the river, drives across the grassy field, by the health food store, coffee shop and liquor store. He carries our once frequent flier over the river across the old stone arch bridge and along the sunny side of the river to highway and mortuary. The rescue boat crew follows the river back to the launching point and return to service as a Ladder Truck Company One. The onlookers disperse and all but the initial crew move on to other calls and duty. The first due company removes the hazard tape and retrieves the colorful lifeline. First to arrive are often also the last to leave. They return to quarters and the details of fire house keeping, cutting grass and mopping floors, checking equipment to ready for their next call, the next run out the door.

The Downward Spiral
We know from past calls that he is from the same neighborhood. We know he once owned a house in another town and lost it. He grew up not far from the river. He lost home, house, business, jobs, cars and license. He made and lost friends family and connections. He played ball on the grassy field as an adolescent, hung out as a teen. He returned to his old neighborhood because he did not know where else to go. He returned for the memories of that childhood to teen home as a lost adult. Lost in a river of troubles he ended up in the water’s cool embrace. He found fleeting relief in a bottle but no answers. He slowly buried his spirit long before he became homeless. His troubles were just the marking posts of the loss.

Will the trees, field and river remember his passing? The river flows to safe harbor to ocean where it is freed to be part of the whole. From the ocean waters clouds rise and become rain. The lake fills drains to the river that flows by the shore. It washes a wooded bank by a grassy field. The rain splatters on lily pads as swans seek shelter where a boy played and a homeless person lived. The water carries a spirit and soul to find restful peace.

Who Is The Homeless Person?
The person is Everyman, who everybody knows and everyone has inside. He is in every family, in every town, village and city. He is everywhere we go.

He is us! He is the homeless guy, the alcoholic, the druggie, the lost soul, the village idiot, the gambler, the abused and the abuser, the trauma and the tragedy. He is your neighbor, your friend, your partner, your spouse.

He is the human being, the spirit, the soul, the body, the connection to us all, to the whole that we are all a part of and he is everyman. He is everyone who can see, feel, and care for the nature of it all.

He is hope, faith, love, charity.

He is connection, communication, caring, empathy, sympathy and warmth. He is commitment and truth. He is all of us and he is a broken spirit and a lost soul without us.

© Ken Pothier July 17, 2006—edited and republished on 9/11/14

2014 Sand Sculpture Competition at Hampton Beach N.H.–Overview

Great job but a long day in the sun.

Great job but a long day in the sun.

DSCN2021DSCN2114Hit the road early to ride the 99 miles from home to Hampton Beach. I wanted to take pictures of the Sand Sculptures before the afternoon downpours alter the art perfection. Already some wind though hot hazy and sunny as I tucked my self behind the Cycles shield for gusts. Route 4 to Route 93 to Route 101 all a good motorcycle cruise to my destination. The beach culture was just getting started with various groups and couples heading to the sand, some starting volleyball games, some swimming and exploring the shore. The Sand Sculpture is a joy which I am drawn to each year. Enjoy!

Working on the tan

Working on the tan

The strip with so much to do see and buy.

The strip with so much to do see and buy.

Side detail

Side detail

Bathing beauty

Bathing beauty

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Vollyball

Vollyball

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Wait for me!

Wait for me!

Family excursion

Family excursion

Life is a beach! Hampton Beach N.H.
Sand Sculpture Competition 2014[/caption]

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Wistful for Wisteria

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Wistful for Wisteria

Peeper frogs choir symphony at night
Birds singing in the crisp morning air

Loons cruising on the pond in synchronized natural movements
A collidascope of motion as cutting winds make designs on the surface

Pen’s potential energy released if only for a line a day
Spring comes slower in my new northern home

Surrounded by forest, hills and mountains
Ice out on the shallow pond April 24th the last pushed under by a day of gusts

In mind’s eye a clear view of the prospects as buds grow and change in color
I find myself Wistful for Wisteria which grew in beauty each year at my old abode

Pictures now memories
A scent I will never forget

As a polar vortex winter fades
and nature comes alive

Here April comes in like a lion and goes out like a lamb
and May showers bring late May and June flowers

All the more wonder after a first spent northern winter
Hope and Faith have brought me here

where I belong

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[click on any image for a sharper view]

“Ass in the chair is the only rule of art.” Donald Murray

Ernest Hemingway and Donald Murray

What I continue to learn! Why I am inspired by these giants of writing.
I have experienced 6 weeks of Monday night classes at Donald Murray’s home in Durham. I sat in as a want to be writer with writers of varied experience in his living room. I worked on a Friday night deadline for 6 weeks and held to it. The secret Don said was to write. He did not believe in writers block. He said to start with a word and go from there.

I have experienced 7 weeks of a class: Ernest Heming way: The Paris Years. It has been an ever changing and interesting experience. I only knew of Hemingway from his book The Old Man and the Sea and the short stories The Hills of Kilimanjaro and The Short Happy Life of Francis Macomber. I was amazed and inspired by all three works.

So I have gone from The Paris Years to the Portsmouth Ideas and enjoyed the ride. As Sir Robert said on the first night of class, that it is ‘’Like a river ever flowing, ever changing.” I have discovered that the more I read of EH and DM the faster the river flows, quickening the pace of change. There is so much to learn so much to mine for the craft of writing.
Mr. Wheeler also quoted Donald Murray, “I have to fight the tendency to think I know the subject I teach.” Ernest and Donald were now forever intertwined in supplying inspiration after that first night of class. I left that night enthused and looking forward to my readings and the next class.
I read of generations passing and searching for meaning in “The Sun Also Rises” and immediately realized a connection between EH and DM. They were both great observers of what is happening all around them. Murray had said in class that to be a writer one must see what others do not and craft a way to let them see what they missed.
I learned that there have been countless biographies on EH since his untimely 1961 death and that as a Journalist, Travel Writer, Short Story Writer and Writer of novels that he had squirreled away lots of writing. He did this despite being a womanizer, a drinker, a sportsman and a husband and father.

As a Journalist Hemingway covered stories for the Kansas City Star and then as an expatriate freelance writer covering post war Europe. I found that he learned valuable lessons there about writing in a concise manner. From the 1954 book, The Apprenticeship of Ernest Hemingway the Early Years by Charles A. Fenton much was gleaned. Ernest Hemingway was a working newspaperman both intermittently and for long intervals during the years Oct. 1916 and Dec. 1923. Other influences were War, Travel, and Sport. His work habits were extensive, sustained and purposeful. He wrote expatriate fiction in 1922-3. In a very real sense his apprenticeship never ended. Hemingway had durability, he was demanding, always growing and had rigid discipline when it came to writing. He said to a friend in 1949, “I’m apprenticed out at it until I die. Dopes can say you mastered it. But I don’t know nobody ever mastered it, nor could not have done better.” [At it]
Hemingway only worked at the Kansas City Star for 7 months but the rules from the papers style sheet book had 110 rules which stayed with him for live. Language and words could never from this point be lightly regarded (pg. 32). In 1940 Hemingway said, “I’ve never forgotten them, no man with any talent, who feels and writes truly about the thing he is trying to say, can fail to write well if he abides by them (pg. 34). Some rules were simple; like never use old slang, avoid use of adjectives, and use short sentences. The only way to improve your writing is to write. The English language yields to simplicity through brevity (pg. 43). Charles Fenton an English Instructor at Yale said, “It wasn’t the literary hothouse of Paris in the 20’s that shaped Hemingway so much as fledgling High school journalism in Oak Park, Ill. and the newsrooms of Kansas City and Toronto.”
Journalism was writing for the moment; as such it was doomed to the death of topicality but the fiction writer by adding invention to experience gave his work the possibility of enduring life. Hemingway granted that it was okay to begin in journalism because it lumbers you up and gives you a command of the language, it was good practice. [Read Paragraphs pg. 232 and 225]

Notes:
Hemingway peaked early, burned out early, copped out and exited early missing a head, yet left a body of work. He lived his time fully but not a full life because you must finish the journey and he up and quit. He left a mess for others to decipher. He was another casualty of another lost and searching generation.
“Old’ man take a look at my life, I’m a lot like you. I need someone to love me the whole day thru. Ah! One look at my eyes and you can tell that’s true” (Neil Young). I am not Hemingway but I do write. I am only alive because I put up a fight to survive. I mine for the words and a heart of gold. Pray I do not lose the spontaneity. Did EH become so tough because his name was Ernest or because he was? EH and DM were both bears of a man. Their paths may have crossed. DM knew of EH’s work and work habits and quoted them in his writing notes. DM went out with his writing boots on dying a day after submitting his last column for the Boston Globe. EH left us too early after burning out. Both lived full and humanly complete lives of observing and learning and writing it all out. Each part of the story gleaned from focused observation and from attempts at learning lessons. The jumbled beginnings of a journey jotted down from viewing another lost generation. From Donald Murray, “Ass in the Chair is the only rule of Art.”

Works Referenced:
(Weber) (Fenton) (Phillips) (Murray)
Fenton, Charles A. The Apprenticeship of Ernest Hemingway-the Early Years. NY: Viking Press, 1954.
Murray, Donald M. Welcolm to the Writer’s Craft. Writing Guide. Durham, NH: Donald M Murray, 2006.
Phillips, Larry W. Ernest Hemingway on Writing. NY: Scribner, 1984, 2004.
Weber, Ronald. Hemingway’s Art of Non-Fiction. NY: St. Martin’s Press, 1990.

Mike Gordon Band: From Neptune to the Flying Monkey

Neptune Theatre--Seattle

Neptune Theatre–Seattle

Flying Monkey logo

Mike Gordon Band

Mike Gordon Band

Mike Gordon Band

Mike Gordon Band

Out there in the atmosphere that surrounds this world we live in there are connections which emanate, propagate and reach back to us. I believe that we are all connected somehow and call this intangible ‘string theory.’ How we live our lives and the decisions we make can strengthen or weaken these connections. I believe that the connection of communication through music is one of the strongest bond builders we can find. Live music is ‘truth’ and you can not fake it. Something happens when musicians play their trade for an audience. We become one with the beats, rhythms, sound, lyrics, and emotions in motion. Each in our own way yet sharing this musical truth.

Mike Gordon Band

Mike Gordon Band

Jam bands starting with ‘The Grateful Dead’ nationally and ‘Max Creek’ local to the East Coast developed a faithful following of fans with their own magical connection in ‘playing with the band.’ The gathering of music loving clans grew up with this music and connected to it as often as possible. Some followed the bands around on their tours. They all came for the real true connection and communication of live music. The music was shared as groups of friends and acquaintances bonded in ‘Rock and Roll’ moments which became marking points on the long winding crazy road of life. The constant was the music, the band, and connection. The faithful followers gather still as new generations join in the groove.

The Mike Gordon Band is now finishing up a tour with Scott Murawski the long time guitarist from ‘Max Creek’ as his prime sidekick. The road continues on as these Gurus of groove spread the truth of live music and expand the connections in a gathering of the clans of faithful jam band followers at each stop. The Neptune Theatre in Seattle and the Flying Monkey Theatre and Performance Center are old theaters reclaimed and renovated for such gatherings. I was fortunate enough to score a couple of song lists where you can see the abbreviations used for the songs played. The lists are always on stage for each performance. A small reminder that the intangible connections did occur and will continue into the future.

Mike Gordon and Scott

Mike Gordon and Scott

Flying Monkey logo

Plymouth, NH
Flying Monkey
Mike Gordon, Scott Murawski, Tom Cleary, Craig Myers, Todd Isler

Saturday, Mar 29, 2014
Doors at 6:30PM, show starts at 7:30PM
Flying Monkey – 39 S. Main St, Plymouth, NH 03264, Plymouth, NH venue website
Phone 603-536-2551

Mike Gordon Band Flying Monkey Songlist

Mike Gordon Band
Flying Monkey Songlist

Set One
Another Door
Surface
Only A Dream
Loon
Twists And Bends
Say Something
Just A Rose
Voices

Set Two
Morphing Again
Long Black Line
Mississippi
Black Tambourine
Spiral
Walls Of Time
Jumping
Paint
Soul Food Man

Encore
Cities

Neptune Theatre--Seattle

Neptune Theatre–Seattle

Mike Gordon Band Neptune Theatre Songlist

Mike Gordon Band
Neptune Theatre
Songlist

MAR 21 2014
Seattle, WA
The Neptune
Mike Gordon, Scott Murawski, Tom Cleary, Craig Myers, Todd Isler

Friday, Mar 21, 2014
Doors at 8PM , show starts at 9PM
The Neptune – 206-467-5510 – venue website

Set One
Babylon Baby >
Cruel World
Yarmouth Road
Long Black Line
Pretty Boy Floyd
Are You A Hypnotist??
Tiny Little World
Emotional Railroad
Different World

Set Two
Sound
Dig Further Down
Ether
Cities
Say Something
Meat
Jumping
Normal Phoebe
Face

MIKE GORDON – OVERSTEP (2014)
by officialmikegordon
PRE-ORDER ‘OVERSTEP’ NOW ON 2-LP BLUE VINYL OR CD: bit.ly/mg_overstep On February 25th, ATO Records will release Overstep, Phish bassist Mike Gordon’s fourth solo studio album (joining 2003’s Inside In, 2008’s The Green Sparrow, and 2010’s Moss). Most artists have a fixed ritual or routine that they rely on to inspire their efforts from concept to fruition. Gordon tends to establish general goals, and then eschew routines for creative experiments. One of his goals for Overstep was to trust himself to relinquish control, which he accomplished by sharing songwriting duties with guitarist and longtime collaborator Scott Murawski (who also tackles lead vocals on three of the album’s eleven tracks), and by handing over the producing reins for the first time in his solo career to Paul Q. Kolderie (Radiohead, Uncle Tupelo, Pixies). Gordon invited a few new players into his sandbox, including legendary drummer Matt Chamberlain (Jon Brion, Fiona Apple), who fleshed out previously-recorded drum machine parts on actual drums. The result is a diverse but tightly knit family of sturdy rock numbers that manages to sound grounded but sophisticated at the same time, and raw but carefully considered. Overstep’s opening track “Ether,” which begins as distant industrial noise that’s gradually replaced by lush guitars and welcoming vocal harmonies, serves as an invitation to the listener to set aside current preoccupations and come along for a 49-minute “reality check.” Gordon draws inspiration from an astonishing variety of sources, from the natural world to the emotional world to his often persistent visions. Like Gordon himself, the album is full of contradictions, juxtapositions, and surprises – which is exactly what his fans expect. Mike Gordon will celebrate the release of Overstep with a North American headline tour that will kick off at the Westcott Theatre in Syracuse, NY on February 28. The run will include shows at New York City’s Webster Hall (March 1), the El Rey Theatre in Los Angeles (March 17) and the historic Fillmore in San Francisco (March 18). The bassist/vocalist will be joined on the road by his band – Scott Murawski (guitar), Craig Myers (percussion), Tom Cleary (keyboards) and Todd Isler (drums). A new repertoire is augmented by hints of secret synesthetic mad scientist gadgetry on and around the stage.

. 1. Ether
• 2. Jumping
• 3. Tiny Little World
• 4. Yarmouth Road
• 5. Say Something
• 6. Face
• 7. Paint
• 8. Different World
• 9. Peel
• 10. Long Black Line
• 11. Surface

2/28 – Syracuse, NY @ Westcott Theatre 3/1 – New York, NY @ Webster Hall 3/2 – Philadelphia, PA @ Union Transfer 3/4 – Washington, DC @ 9:30 Club 3/6 – Asheville, NC @ The Orange Peel 3/7 – Pittsburgh, PA @ Stage AE 3/8 – Chicago, IL @ Park West 3/9 – Madison, WI @ Barrymore Theatre 3/11 – Minneapolis, MN @ Varsity Theatre 3/12 – Lawrence, KS @ Liberty Hall – NEW DATE ADDED 3/14 – Boulder, CO @ Boulder Theatre 3/15 – Park City, UT @ Park City Live 3/17 – Los Angeles, CA @ The El Rey Theatre 3/18 – San Francisco, CA @ The Fillmore 3/19 – Portland, OR @ Wonder Ballroom 3/21 – Seattle, WA @ The Neptune 3/22 – Vancouver, BC @ Rio Theatre 3/28 – Boston, MA @ House of Blues 3/29 – Plymouth, NH @ Flying Monkey – NEW DATE ADDED 3/30 – Woodstock, NY @ Bearsville Theater – NEW DATE ADDED 4/4 –

Mike Gordon and Guitarist extraordinaire Scott Murawski

Mike Gordon and Guitarist extraordinaire Scott Murawski

Photos and the write up of the new album are from Mike’s website. Neptune and Flying Monkey logos are from those websites.

Breaking Trail as Seasons Change

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Yet another rain is coming tonight so I strapped (the old term), stepped into cross country skis as our golden ‘Mari’ picked out the ball of the day and we set out down lake. Conditions were good, slick not wet. We followed the first outlet which fills a small pond to and across a dirt road and into the woods on an old logging path. The path soon disappeared into new growth with an uneven obstacle filled journey ahead. The golden can go under and around small bush tree fallen log bramble and briar where the rabbits can go.
There is a feeling of freedom in leaving known path. I shift in zigzag moves looking for the (easiest), less difficult way forward. A sense of direction and fondness for a feeling of motion in emotion my guide.
The woods are silent but for our breathing, snap of breaking branch, crunch swish of skis traversing snow. Perfect circles of brown under the evergreen trees, a dry place to stop, gather thought and bearing, to feel the freedom in this live free or die state I am in. Fully alive, partially lost, physically strong and breaking trail in woods and wetlands seldom tread by man. A half hour in I find remnants of what was once a field property border, an old stone wall. Built boulder by rock by stone in clearing a field which is now reclaimed by the forest wood growth it was before man attempted to tame it.
The nature of this place laughs this day on my clumsy country crossing. Direction change from South to South West as the wall which appears to have cornered the field disappears with my tracks. Sense of direction and feeling for light penetrating clouds now carry me toward a grand wetland depression in forested hills. I know it as a continuation of the water flow from lake to pond to steam to trickles that drain to wetlands. Until today it was only a view from an old fire lane that traverses conservation land.
Find the filtered sunlight and search the distance for the open space beyond the wood. It is there wetland lives and when I find it I will follow North East from trail breaking toward broken trail I know.
A flash of white on a hill ahead and above me is followed by another as I focus. I halt and signal the golden to stay quiet for it is a family of deer on one of their familiar trails. We had seen tracks, rabbit deer perhaps moose but there is magic in the meeting! Our silence allowed them to move calm and free, our scent lost in light breeze.
We climb the hill and follow tracks to the SW end of the wetland. A break in the trees frames the view. Home to the deer, to me it is a dear moment in viewing. With no easy way down I remove the skis and use the pole straps to bundle them. Now hiking in 4 to 12″ of snow I can follow a more direct route. We move up and down hill to gully to hill, jumping across streamlets and slow and careful on the weak ice of pieces of wetland.
Joys in the movement, the sights, the feel, the physical cost paid back ten times in sore satisfaction. My mind map of the woods and wetland expanded. The view from the road is now a topographical memory of depth sound sight and feeling and on this day it feels like home.

U2: No Line On The Horizon: Music Review

U2 No Line On The Horizon

U2

U2 No Line On The Horizon_Review_Entertainment

Pothier

Contributing Writer

U2-Bono, Adam Clayton, Edge, and Larry Mullin Jr., released a new CD in multiple formats on March 2, 2009. The image of the album, No Line On The Horizon, is one of hope and optimism in a time of chaos, (interview on Good Morning America 3/6/09). U2 has always been a band of the people, both on and off the stage. Thirty years of twists and turns on the road took them to the Good Morning America Show (ABC) broadcasting from Fordham University Friday.

These singer, songwriter, musicians for the world, dedicated a song to college students; which is where U2 got their start as 17/18 year olds, and it is where generational change begins. The song, ‘I’ll Go Crazy If I Don’t Go Crazy Tonight,’ could be a college party anthem, however, the lyrics-“Every generation gets a chance to change the world/ Pity the nation that will not listen to your boys and girls/ ‘Cos the sweetest melody is the one we haven’t heard,” seduces with the beat, to change the world as well as enjoy youth in going crazy. Later in the song there is a call of, “shouting to the darkness, squeeze out sparks of light.”

U2 still has plenty to play and say. Bono said in an interview with Kate Snow that they have many songs written and hope that they will remain a line on the horizon with no end in sight. “When we came out with our first record, Boy, we couldn’t get played on commercial radio,” Bassist Adam Clayton recalled. “And it was the colleges that kept that record alive, and we would go to every college and do interviews (, MTV interview 3/6/09).” Snow mentioned that the way music is listened to now is in a downloading of selected songs. Bono said; “that the recording is designed as an album and works as a beginning to an end.” People can listen any way they want, however, the nuance which can be heard and felt in lyrics and music would be missed in just sampling the CD.

Robin Roberts from GMA told the band that in turbulent times their music helps us to get thru difficulty. Bono expounded on the music saying; “the music is honest, rock and roll is a mixture of blues as well as the gospel highness.” The recording was done in N.Y. City, Dublin, London, and Morocco. The Morocco work was the spiritual heart of the album with the songs Magnificent, Unknown Caller and White as Snow done there in a place known for tolerance…

U2 is back and you too can go into the sound. Paraphrased from some of the lyrics, “I am gonna’ shout it…the future needs a big kiss…get on your boots…laughter is eternity if joy is real…let me in the sound…flowin’ down…wanna’ drown… let me in the sound. The reviewer went in, felt it, and it felt like blues, gospel based honest rock and roll. Roll with U2!

© Captain Ken Pothier 6/9/09

How do the Turkeys cross the Road!?!?

Up until the beginning of winter I lived in Raymond, N.H. and saw turkeys everyday. On day early in the morning the Tom jumped out into the road and I stopped. To my amazement he proceeded to fluff up all of his feathers and produced an imposing figure to see. He then told his brood of hens to cross the road. He yelled at the last couple to hurry, closed up his feathers and followed his entourage into the woods. Weeks later the following article appeared on the first page of the UNION LEADER newspaper. I had not seen TOM in awhile and was saddened by the thoughtlessness of those involved. We must respect other living things and allow them to live in peace!

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Tom Turkey Crossing Guard

Tom Turkey Crossing Guard

 

 

December 04. 2013 10:27PM

Vehicles go off-road to run over turkeys in Raymond, Kingston

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By JASON SCHREIBER Union Leader Correspondent

RAYMOND — Two recent cases of wild turkeys intentionally being run over by vehicles have ruffled some feathers.
“Unfortunately, it’s more common than we’d like to see,” Fish and Game Conservation Officer Chris McKee said.

McKee is investigating separate incidents in Kingston and Raymond that left four wild turkeys dead.
Two people were recently charged in connection with allegedly mowing down three wild turkeys with a vehicle on Hunt Road in Kingston. McKee said the vehicle was driven off the road to strike the turkeys.

In mid-November, a neighbor told authorities that he saw a man in a sport-utility vehicle drive onto a private field on Harriman Hill Road in Raymond and attempt to run down a turkey flock.
“He tried to chase it down, but was unable to catch up to it,” McKee said.

One of the turkeys was struck and killed near an area along Harriman Hill Road where a school bus drops off students. McKee said the man who witnessed the incident picked up the dead turkey so the children wouldn’t be startled when they arrived at the bus stop.

The turkey killing has angered Harry and Sally Richard, who own the property where the turkeys were chased.
“It’s very frustrating. I love the turkeys. They’re like pets to me,” Sally Richard said of the flock of nearly 50 turkeys that often hangs out around their property.

Intentionally killing wildlife with a vehicle can result in a charge of “unlawful method of take,” McKee said. The charge is a violation-level offense punishable by a fine of up to $1,000. A person could also be charged with reckless operation, he said.

Last year, Ian Gamble of Francestown was issued two violations for taking a turkey with a motor vehicle and for hunting without a license after he allegedly raced through a flock of turkeys along a road in Greenfield. One of the turkeys was killed in the incident, which was captured on video.

McKee said he sees incidents like these about once or twice a year.
“Apparently they’re just getting their kicks out there,” he said.
Harry Richard doesn’t think it’s funny. He said the tire marks from the turkey chase are still visible in his field.

“I’d like to see them caught and punished,” he said.
According to Fish and Game Department statistics, there are 40,000 wild turkeys in the state.
From 1854 to 1975, wild turkeys were extinct, but a flock of 25 turkeys released in 1975 restored the population. In 2012, hunters took 3,873 wild turkeys.

jschreiber@newstote.com

Ray Lamontagne–Till The Sun Turns Black–CD Review

Till The Sun Turns Black–Review of the Music and Wisdom

Of RAY LAMONTAGNE

By Ken Pothier–Southern New Hampshire

It is not often that a work of music captures your ears and then steals your heart in touching emotions and feelings on first listen.

Ray Lamontagne with his CD Till The Sun Turns Black drew me in on the first song and I found myself sitting up to hear the wisdom of the lyrics in this work by an artist that is a Wizard of Words, capturing deep feelings and channeling them thru music.

Music that is haunting, ambient and tranquil at times and rises when needed as high as the depth of this mans feelings. This is a man who captures the singer songwriter musicianship that Jackson Browne and Dan Fogelberg did on their breakthrough albums years ago. I also felt the depth that the Beatle’s Rubber Soul and Simon and Garfunkel’s Bridge Over Troubled Water made me feel on first listens to those works of art and music. This is Enya on testosterone with real musicians capturing lyrics and feelings that take balls to touch.

Drawn in on first listen, better and more nuanced each time. It is good as background or as a place to tap feelings and emotions. Ray goes deep in palpating words and music perfectly blended as if channeled from the wisdom of the ancestors.

From BE HERE NOW

“Don’t let your mind get weary and confused- your will be still don’t try”

“Don’t let your heart get heavy- child inside you there is strength that lies”

“Don’t let your soul get lonely- child its only time it will go by”

“Don’t look for love in faces places- it’s in you that’s where you’ll find (it)

“Be here now- here now- Be here now- hear now”

Writer and musician–lyrical art study that helped me touch feelings of my own.

From EMPTY: “I never learned to count my blessings- I choose instead to dwell in my disasters”

“Somehow it’s still hard to let go of my pain- will I always feel this way so empty so estranged”

“of these cutthroat busted sunsets cold and damp white mornings I have grown weary”

“If thru cracked and dusty dime store lips I spoke these words would no one hear me”

And how about these killer lines from the same song: “Well I looked my demons in the eyes laid bare my chest said do your best to destroy me- said I’ve been to hell and back so many times I must admit you kind of bore me”

The real musicians including Ray play; acoustic guitar, piano, strings, violins, celli, bowed bass, percussion, viola, B3, Wurlitzer, electric piano, electric guitar, trumpet, sax, dobro, flute, uke, acoustic bass, mellophone, euphonium, Spanish guitar, French horn, reed organ,

See if such strength in word and music draws you in and hauntingly channels wisdom while touching your feelings.

Someday Cafe

Blank Canvas of paper

Frosty early December Day

Sun is out

Shines light without warmth

Like emotion without thought

Jazzy tune on the sound system

Female vocalist Marisa Monte

Emoting warmth and joy

Song and coffee

Wake and Warm

A Weary soul with Wounded Spirit

Davis Square busies with Everyday People

On missions and quests of their own

Bundled against cold, eyes blinded by morning light

Lost in thought without emotion

Caps, Lids, Hats, Covers, Hoods, Scarf

A Bad Hair Day for all

In the eyes of a follacly challenged man

They are fortunate to have a hair day at all

Any Port in a storm, Hat in cold weather

All is relative in the missions of people everyday

Warmth on this side of the window glass

Looking glass on the world

Seen behind Blue Eyes

That have already viewed

A lifetime never imagined

We dream of how it would be

Take Paths from the Crossroads of Time

People passing the looking glass

May never cross paths again

Tufts University Student 22 will never see 23, never be fabulous again

Yesterday was his last

A fifth year Liberal Arts Student, heading for educated unemployment

Would welcome: a cold sun, light of day, emotion

With or without thought

Warmth, coffee, joy, song.

Blank canvas of paper

A Frosty December Day

Sun is out

Siren sounds piercing the cold

No one looks up

The Rescue crosses their path

But does not stop at their door today… sanctuary found

they raise their cups

Safe at the Someday Cafe